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david lachapelle's photo lighting of lady gaga on guess the lighting blog

ted sabarese photo lighting diagram of lady gaga on guess the lighting blog

copyright, David LaChapelle

Lady Gaga covered in bubbles shot for the cover of Rolling Stone. Very pink, very LaChapelle and created with 7 light sources.

Camera: Mamiya AFD3 with 80mm lens and Phase One P65+ digital back, hand-held, ten feet back. Shot at 1/60, f8, ISO 100.

Lighting: The somewhat flat, frontal light is created with a large soft box at f8 five feet directly above camera and angled down. A medium strip bank at f5.6 resting on the the floor in front of the camera and angled up provides the fill. Two, bare Kino bulbs are staggered to the Lady’s immediate left and another two to her right. A magnum reflector with diffusion at f16.5 is positioned low in the doorway pointing toward her back (this creates the glowing hair and bubbles and adds some nice, softening lens flare).

Comments: Unsure whether Lady Gaga would enjoy or loathe listening to her own music while shooting, La Chapelle made the smart decision to hire a bagpiper from bagpiper.com. He played all the traditional favorites. The floating bubbles were hand-blown by two non-smoking assistants. After the shoot, Lady Gaga left the studio wearing the bubble outfit (she wanted to show her book club) where she was, ironically, photographed by a pack of paparazzo.

mario testino's photo lighting of giselle bundchen on guess the lighting

ted sabarese photo lighting diagram of giselle bundchen on guess the lighting blog

copyright, Mario Testino

I guess I’ll stick with Gisele for another moment and guess how Mario lit this seemingly sun-soaked image for the Pirelli calendar with 3 lights. I’ll even throw in my thoughts on how he lit maid arranging the flowers.

Camera: Pentax 67 ii with 100mm lens and Kodak Portra 400vc film, on a tripod 8 feet back. Shot at 1/30, f5.6, ISO 400.

Lighting: The room is obviously getting a decent amount of sunlight from the large, open window in the back left (subsequently, that’s the only light illuminating our diligent maid), but that’s not what’s making Gisele pop so strongly from the dark background. The key light is a small, white umbrella at f5.6 four feet to camera left, waist-high to Gisele. Mario covered the bulb with a Rosco pale yellow gel to add a sunny, Rio de Janeiro glow, indoors. A normal reflector with grid at f11 is positioned behind and to camera left of the model, adding a nice glow to her hair and highlights on her outside torso and leg. Another normal reflector with grid at f11 sits behind, low and to camera right of Gisele, creating the highlight on her left leg.

Comments: This shot was originally scheduled outside on a vintage, wooden, Chris-Craft triple-cockpit speedboat. Unfortunately, Mario came down with the whooping cough and was laid up for a couple days. This is his hotel room where he rolled out of bed for the shot. Gisele isn’t intentionally covering her breast, but wiping off the remnants of a Mario sneeze.