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annie leibovitz's photo lighting in Vanity Fair for wizard of oz

ted sabarese photo lighting diagram of annie leibovitz for guess the lighting blog

copyright, Annie Leibovitz.

Talk about a challenge. In 2005, Vogue Magazine posed this to Annie Leibovitz: take the Wizard of Oz, one of history’s most important films. Recreate the iconic scenes, but add your own personal, touch. Looking at the photo story as a whole, I have to say Annie nailed it. Crushed it, actually (it certainly didn’t hurt to have Keira Knightley at her disposal). Google the story. Each image is more beautiful than the next. This shot of Dorothy, Auntie Em and Uncle Henry rushing to shelter captures the cinematic feel while adding Annie’s modern sensibility. It was created with one light and the help of the sun.

Camera: Mamiya RZ67 with 50mm lens and Kodak Portra 400NC film, handheld 15 feet back. Shot at 1/60, f16, ISO 400.

Lighting: To mimic a gloomy, tornado-laden day, Annie underexposed the shot by two stops. The key light is a large Octabank at f8 set high and 12 feet to camera left. The sun at f8 is high in the sky and slightly to camera right. This adds fill and some flatness to the image. Two large wind machines are out of frame to camera right aimed head-high adding to the stormy feel. Though a stickler for realism, Annie did not wait for an actual tornado to touch down. The background was added in post.

Comments: The cute puppy, though a dead wringer for Toto, wasn’t the most obedient pooch. While the rest of the talent moved toward the shelter doors, he ran in the opposite direction. Usually chasing a vagrant squirrel or his own tail. After numerous failed attempts, the prop stylist replaced him with a taxidermied fox. The dogs features were retouched in in post.